Seperate sider

lørdag den 24. marts 2018

En af de bedre definitioner af Cosmic American Music


“Its evolution is roots-based but it’s not really roots, therefore not most Americana, especially if not heavily country-based.

It’s not usually singer/songwriter, though it requires solid songwriting, and is usually band-oriented (inc. in-studio if not officially a “band”)
.
It’s not pure country in the sense of it being solely traditional or “trad.” It’s usually more closely aligned with Bakersfield than Appalachian, though incorporates diverse background elements, including rock, soul, and jazz.

It’s not pseudo “country rock,” which is typically a market-driven synthetic synthesis, which may hint at why most in this list did not sell well at the time. (True “country rock” was epitomized by Jerry Lee Lewis.)

It’s often southern in origin but usually not “southern rock,” which is an identifiable and distinctive niche of rock music.

It is not usually “Outlaw” as epitomized by those who have recently co-opted that label; having said that, in some ways it followed Hank and Cash as the original outlaws of country music.

There is a large West Coast/Californian aspect to it, both migratory and per the Bakersfield sound, as well as in regard to the evolution of the genre itself.

It’s not soul music per se, though Gram once described it as “white soul,” and it is usually soulful in some way
.
Above all Cosmic American Music is inventive in songwriting and delivery, cosmic in the sense of being cutting edge, but built upon the tried and true (e.g., Buck Owens, Merle Haggard, Louvin Brothers, Elvis).”


Ingen kommentarer:

Send en kommentar